Postmodernism in Music Videos – Lana Del
Rey
Definition:
Postmodernism is
an attempt to question the world that we see around us and especially not to
take other people's views as the final truth. Postmodernism puts everything
into question and questions philosophies, strategies and world
views. There is no such thing as a definition of the postmodern. It is a
mood rather than a strict discipline. Postmodernism, with all its
complexity, is an attempt to find new and more truthful versions of the world.
Lana Del Rey:
This Lana Del
Rey song “National Anthem” is seen as being Post Modernism as it
includes large intertextual reference to Marilyn Monroe's Happy Birthday Mr
President performance. She replicates her outfit, style and imitates her
voice exactly. The time era is clearly established by the black and white,
muffled footage. The video combines the 1960’s with our contemporary world and
creates something completely new. The entire video continues to focus on the
President’s personal life and it used hyper-reality to exaggerate his story. It
could be said that the music video is a parody of J.F Kennedy and the 1960’s as
it humours his lifestyle.
Elizabeth Woolridge Grant:
Her stage name
is Lana Del Rey. She is an American singer-songwriter. Her name is a mixture of
the golden-age Hollywood actress Lana Turner and the 1980’s USA car, the Ford
Del Rey.
She mixes old
school Hollywood with today’s youth and creates music videos with the influence
of the old generation to try and create something brand new.
Simulation:
For Baudrillard, we live in an era of media
saturation in which we are bombarded with information and signs. So
much of our experience is in the form of media texts rather than first-hand
direct experience that mediated signs become ‘more real than reality itself’.
This is simulation: the part of our lives that is dominated by
computer games, television, social networking on the internet, magazines and
all other forms of media experience.
Goodwin’s Music Video Analysis:
Andrew
Goodwin writing in ‘Dancing in the Distraction Factory’ (Routledge 1992)
1. Music videos demonstrate genre characteristics
(e.g. stage performance in rock video, dance routine.
2. There is a relationship between lyrics and visuals
3. There is a relationship between music and visuals
4. The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style).
5. There is frequently reference to notion of looking (screens within screens, telescopes, etc) and particularly voyeuristic treatment of the female body.
6. There is often intertextual reference (to films, tv programmes, other music videos etc).
1. Music videos demonstrate genre characteristics
(e.g. stage performance in rock video, dance routine.
2. There is a relationship between lyrics and visuals
3. There is a relationship between music and visuals
4. The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style).
5. There is frequently reference to notion of looking (screens within screens, telescopes, etc) and particularly voyeuristic treatment of the female body.
6. There is often intertextual reference (to films, tv programmes, other music videos etc).
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